SALVADOR DALI "The Gift of Mandrino" Hand Signed Lithograph 49cm x 71cm

Regular price $5,500.00

SALVADOR DALI (1904 - 1989)

Limited Edition Lithograph on Arches Paper


Title: Don Quixote - The Gift of Mandrino

Hand Signed: Lower Right (In Pencil)

Edition: 32/75

Image Size: 49cm x 71cm

Sheet Size: 66cm x 94cm

Art / Image Condition: Excellent - Never Before Framed (Few minor discolouration to some border edges which Framer can frame out)


This work is accompanied by a Certificate of Authenticity from the Publisher - ARA Productions, LLC.


You can also come view this work and many others in our Surry Hills Gallery in Sydney. Please message me to arrange a time to view in person.

Serafin Martinez

Principal, Martinez Art Dealer

Surry Hills, Sydney, Australia

ABN 36 561 407 649

Detail and Authenticity:

Signature - This lithograph bears Salvador Dali's original signature in pencil and is signed and verified as authentic on the reverse by Dali Archivist Albert Field.

Series - Don Quixote: The Gift of Mandrino Hand Signed Salvador Dali Lithograph   This Don Quixote trilogy is comprised of Don Quixote: The Gift of Mandrino, Don Quixote: The Warrior's Heard, and The Story of Don Quixote. From original sketches, the images bear a striking resemblance to Dali's 'Historia de Don Quichotte de la Mancha' series (1980). In this image we see Don Quixote receiving the Golden Helmet of Mandrino.

Publisher - ARA Productions, LLC whose corporate office is located New Yale University in New Haven, CT.The company (ARA Productions) has been in the fine art business since 1999.


Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. 

Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” 

In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant moustache, pet ocelot, and outlandish behaviour and quips. 

“Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”


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